“The Mischievous Sinfulness of Mother Coakley,” a thoroughly reworked version of his New Yorker story “Mother Coakley’s Reform” (March 18, 1944), is an example of Gill’s exploration of the life of Catholic clergy in his fiction and is set in a monastery in a Carolina town. The narrative tone is warm and somewhat whimsical in telling the story of a nun struggling with sins of pride, envy, and greed stemming from, of all things, her competitiveness on the tennis court and a priest facing two specific weaknesses of his own. The hopefulness of faith and the capacity for change make this a meaningful pairing with “The Knife.” Continue reading The Mischievous Sinfulness of Mother Coakley →